Learning From Other Genres

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People often say that if you want to write in a particular genre, read 100 books in that genre, and I really like that advice. But I also think there are advantages to breaking free from your genre and learning what another has to offer. 

Last weekend I took a class about writing Collage Memoir from Paisley Rekdal who teaches in the MFA program at the University of Utah. While I do write in a journal every night, I’m not quite sure why, since my life is usually pretty dull. I read, I write, I cook, less often I clean…I watch soccer, drive carpool, chat with friends, watch TV, bad Reality TV…
ZZZZ.
So it was interesting to discover that I do have interesting things to say as Paisley guided us through a series of readings, followed by writing exercises. Collage writing combines personal writing, poems, photography, art, fiction–or even “found language” from news articles, etc. 
I actually came up with a few essay ideas that I’d like to pursue. And I added several unusual books to my ongoing To-Read list–books I never would’ve heard of otherwise–like Understanding Comics by Scott McCloud which provided the starting point for the class. Talk about a different genre! 
Best of all–I found myself jotting down note after note about ways I could use collage writing techniques to develop characters in my novel and move the story forward in unique ways. So, if you’re looking for a way to pump some energy into your writing, try taking a class outside of your comfort zone. It’ll spark your imagination for sure!
Thanks Writers@Work for sponsoring the class!

Lessons Learned From Illustrators

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Last weekend, as SCBWI Regional Advisor, I attended our illustrator conference. The tips on lighting and body proportions did’t really apply to writing, although I suppose if I tried, I could work out a complicated metaphor… But I won’t. Here’s what struck me:

Midway through her talk, Sherry Meidell said, “Deadlines and time constraints can stifle creativity. Relearn how to play like a child. You have to daydream–take the time to sit and think. Visualize, look at your sketches, and daydream some more.” She advised us to go for a walk or a run, letting our stories play through our heads, as we ask if we’ve approached the illustration from the best angle.

Stories need to be told through the right angles too. Are we putting our characters in the best situations to move the story forward? Could we find a more interesting setting for this scene? Would our characters really do that–or is it merely a quick way to move the story along (and maybe avoid working through a tricky scene)?

As writers, we value butt-in-chair time, often racing through scenes to meet daily word count goals. As a NaNoWriMo fan, I’m guilty of stacking up word count without taking time to pause. Go on that walk. Stare out the window with my cat. Think.

I know that my writing could benefit from taking the time to daydream some more. So move over Minnie, let’s hang out on the sofa & think through my plot together… Okay, I know you’re only thinking about snacking on birds.

Setting Aside a Work-in-Progress

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I’ve decided to do something I’ve never done in my writing life. I’m setting aside my WIP to start something new. Why?

I scrubbed my refrigerator instead of writing on Tuesday.
Yesterday I spent my writing time filling my notebook with poorly-written poems.
Characters sparked by reading a newspaper article a few weeks ago won’t stop chattering at me.
I’ve been trying too hard to write a book with a BIG GIANT SKY HIGH concept. And it’s just not me.

Part of me feels like a quitter, putting aside something that I thoroughly researched & outlined with the fast-paced precision of the 4th sequel in an action movie franchise. I pounded out 50,000 words during NaNoWriMo. But I have to acknowledge that the story is not working. And I’m not working. Even my family is growing suspicious about the cleanliness of the house. Matched up socks? What?!?!?!

Maybe the marketplace wants novels that can be decorated with dark, doom and gloom covers with pessimistic views of the future. Someone else can write those books. I’ve got to stay true to myself & tell this new story about real people with real problems, not that having vampires in my backyard wouldn’t be a problem…

I’m excited!

Gifts for Writers

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Next week my critique group is having our annual holiday breakfast. We always exchange small writerly gifts. And I have no idea what to do this year. Some of my favorite writerly gifts that I’ve received are:

A framed ornament of my first ever book cover. Both my critique partner & I wrote stories that appeared in Blooming Tree Press’ Summer Shorts anthology. I love seeing this on my tree & remembering how hard I’ve worked at writing for all these years.

A tote bag for all my critique group needs: notebooks, pens, books, and manuscript pages. And it’s true: if you’re interesting, in any good or bad way, I will put you in my novels! (That means YOU impressively grumpy woman at post office yesterday.)

I place all sorts of knick knacks on my writing desk, mostly so I can play with them when I get stuck. Or haven’t quite started yet… I was thrilled to receive this little framed message reminding me simply to WRITE. I loved that the message was composed in kitchen utensils because I also enjoy cooking.

The students at Two Rivers High School, where I’ve been teaching a class this fall, gave me this cute little journal. Now I always love a cute diary, whining, I mean writing, my way through several volumes each year. But this one is extra special because each student wrote a short message to me. I love peeking at the messages–especially on bad days!

What are you favorite things to give to writer friends or to receive from writing & reading friends?

(I need some ideas to borrow!)

The Outline Advantage

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My task this week: plan and plot my new WIP. I know, I know, outlining is not cool, not artistic, it hampers inspiration… Tony Hillerman says, “Usually the book is finished long before the outline is. Go with the flow. Sometimes plots don’t make sense, but it avoids that awful problem of outlining.” Anne Lamott (Bird By Bird) is against outlining. So is Stephen King (On Writing).

But I still love it. I’m not talking about one of those big I, little i nightmares from school research papers, but rather creating a plan for the work I plan to write, or as Strunk and White say, “a suitable design.” Having an outline gives me an advantage as I draft a new novel.
Advantage #1: Plot. Outlining allows me to work out the structure of the novel. I like to see everything visually and puzzle out questions. If this happens, then what will happen next? I can see the pacing, story arc, etc. 
Advantage #2: Avoid Meandering, Wandering, Getting Lost. An outline helps me keep to the story I intended to tell. I won’t write hundreds of unnecessary words, or pages, that don’t actually contribute to my main character’s journey. Sometimes it’s hard to cut clever or pretty sentences that sound good–even if they don’t belong. 
A good outline also gives me a map through the middle. Knowing where I’m going prevents those panicky moments, “Eek! I’ve written 100 pages, but I don’t know what happens next, and, maybe the whole thing is bad, bad, bad.”
But–it is important to be flexible. I’m always adding and deleting things from my outline.
Advantage #3: Tracking Subplots, Minor Characters, Themes. To make outlining even more fun, I’ll use color for each aspect of the story. At a glance I can see if I’m ignoring a subplot for too long, or leaving out a minor character who will confuse my readers if she all of a sudden pops back into the story 75 pages later. 
Advantage #4: Remembering The Good Stuff. I do a lot of research before I write, and I’d probably forget about some of my most interesting tidbits if I simply dove into the story and started wandering about. Outlining forces me to really think about my story and figure out how to fit all of my ideas into my plot in an exciting, relevant manner.
Advantage #5: Fast, Smooth, Writing. I rarely sit and stare at my blank computer screen wondering what the &#*!@  happens next. I’ve been letting my subconscious mind go to work. I always look at which scene I’m going to work on the next day, and think about it while I’m cooking dinner, driving carpool, walking the dogs, etc. I’m not worried about what will happen next, I’m focused on how to make it happen. 
Advantage #6: Cleaner First Draft. My outline serves as a first draft of sorts. And that makes revision easier. Oh, I still have things to fix, but I usually don’t need a bulldozer during revision.
So what if Stephen King thinks I’m a dork?

Writing A Pitch

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Today my goal is to create a pitch for my next YA novel idea–something so intriguing that people will say, “I’ve got to read that. Write fast!”

I’ve been researching my idea for months, reading like crazy, thinking like crazy, watching YouTube videos, picking up random bits on NPR, steering dinner party conversations in unusual directions… My brain is STUFFED with information. But now I have to explain it to people. Um…

I’m a rambling mess!

Lucky for me, I discovered Save The Cat by Blake Snyder. It’s a book about screenwriting, but who better to teach me how to pitch than a Hollywood movie guy?

According to Snyder, a pitch answers this basic question: what is it?

(And it’s not Snakes On A Plane meets Three Men And A Baby–although who wouldn’t want to see that?!?!?)

A good pitch gives a clear sense of what the story promises to deliver (action, love, mystery). You want your audience to immediately form a compelling mental picture of your story. Better yet–you want to elicit an emotional response. A good pitch also includes a good title. Hunger Games? Yeah, I want to know what that’s about!

People also want to know who the story is about. Short and sweet, a good pitch characterizes both the main character and the antagonist. Is your character’s goal enthralling? The best way to hook someone with your pitch is to make sure that your character’s mission involves primal needs: survival, love, protection. Snyder asks: would a caveman understand your character’s needs?

Reducing all my research into a pitch only a few sentences long will probably be the hardest part to write. But I know that figuring out these basic elements will make the next 250 pages flow.

I’m excited and I want to write this story fast!

Still Collecting Characters…

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One of my favorite neighborhood “characters” is a man who walks three little dogs every morning. With his dark shoulder-length hair, bushy beard, and old-fashioned coat, he looks like someone from another era. He should be wandering cobblestone streets in the mist, not dodging early morning sprinklers watering manicured lawns in a dry climate.

Seeing him, I sometimes wonder if there’s a time travel portal hidden among the white vinyl fences in my neighborhood…

But today I saw him walking his three little dogs, wearing shorts–Richard Simmons shorts. Oh, no! It turns out he’s a man from another era alright, but that time is 1980!

Well, at least he can still be a time-traveling nomad in my imagination.

Things I’ve Learned So Far

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I enjoyed the challenge of coming up with seven things I’ve learned about writing and publishing for Chuck Sambuchino’s Guide to Literary Agents blog. Now if only life would stop teaching me SO many lessons! Here’s the first one:
It’s not always about you. When my first novel hit the shelves, I came across a surprisingly violent review: a blogger, upset with a particular passage, threw my book against her wall! Shocked and dismayed, I showed my mother, a psychologist, the review. She simply nodded and said, “Wow. That sure says a lot about her.” Oh, right. Readers filter stories through their own experiences, values, and expectations. Sometimes our work simply won’t connect—with anything other than a wall. 

To read the rest of my guest column, please go to the Guide To Literary Agents blog. Leave a comment for a chance to win a copy of Jungle Crossing.

Other Kinds of Creativity

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I’m just home from a jaunt through the Northwest. I brought books, notebooks, and my laptop, but I didn’t do any writing work. I simply appreciated other people’s creativity.

With sand:

Latte foam:

Salty soccer chants:

And lyrics. (Our marriage entered its last year as a teenager, so we took it to a My Morning Jacket concert.)

Watching others exercise their creativity always inspires me. So now I’m home with my notebook, adding characters like this cat who does fundraising for an animal shelter at Pike Place Market in Seattle.